By Logan
222 Pages
Begun 02/15/2019, Finished 02/17/2019
I don’t normally read memoirs, and I certainly don’t usually read memoirs of actors. Delving through the personal details of the lives of people I don’t know personally isn’t exactly my cup of tea in the first place, but some obnoxious part of me finds the attention we pay to entertainers outside of their jobs very peculiar and at least a little unsettling. I don’t know why I feel this way, but this isn’t the place to try to self-psychologize. During a road trip, Tori asked if she could listen to Kaling’s 2012 memoir on audiobook while we drove a few hundred miles to visit family.
My default grumpiness about the genre was smoothed over pretty quickly by Kaling’s charming writing and conversational delivery (she narrates her own memoir for the audiobook). Mindy traces her life primarily among the contour of her trajectory towards a career in comedy. For those of you who would, like I did, break Tori’s heart by asking who Mindy Kaling is, she’s the actress who plays the Indian woman on The Office. She also wrote for the Office. She also has written an award winning play (I’ll save you the absurd details, she goes over them in the book), voice-acted in several Disney films, played Mrs. Who in a Wrinkle in Time, and finished her own comedy series for Fox in 2017.
The memoir was written while Kaling was on the cusp of full-blown importance and is a pretty good demonstration of how she got there. Her best, earliest friendship was with another girl who was, like Mindy, obsessed with comedy. The details of how that friendship formed among the fairly normal background of a highschool girl struggling with her identity and fitting in are funny and endearing.
I could write a similar paragraph for each phase of the memoir, her transition to Dartmouth where she began writing for public audiences in earnest. Her move to New York with her two best friends, where she began trying to get into show business while nannying. He first job on a TV psychic show. Getting that attention for that play I mentioned. Transitioning into writing and acting on The Office.
I don’t know a lot about Hollywood, but I suspect the story is pretty normal for people who have, “made it,” and who almost did. What makes this book stand out is the way that Kaling weaves her insights about how people work, her lists of preferences, hopes, disgusts, and everything else a person can experience in response to the world. This is where her personality and intelligence really shine through. Since these were by far my favorite parts of the memoir, it feels appropriate to finish this review with a similar list
4 Things I Liked About Is Everyone Hanging Out Without Me?
1. Relationships
Mindy doesn’t spend much attention on dating or relationships at all. Romantic pursuits are always shoved to the far background of the story until we get to material that seems to be pretty close to the time of writing. She does devote two or three lists to dating and marriage and one rant to dissecting why guys take so long to tie our shoes, which ends up related. At the time she wrote the book, at least, Mindy wanted to be married one day. She expressed her desire to date men rather than boys, with one of the better secular explications of what that meant. She also expressed longing to see examples of good, healthy, happy marriages. As someone who wanted to be married one day, she was fed up with all of the people who talked about marriage chiefly in terms of how hard and laborious having a marriage was. I found that last part interesting precisely because Tori had expressed similar frustrations before we were married. Overall, I was struck by the ways that a human heart naturally longs for the kinds of relationships that the Holy Spirit makes possible. Humans are incurably set to seek out the good things that God designed for us, even when we aren’t seeking after the source of those gifts.
2. Seeing how television works
This isn’t exactly the kind of memoir that provides an in-depth look at some specialized field the author is acquainted with, but it isn’t not-that either. Throughout the last third of Kaling’s book we get a lot of glimpses at the creative process for television shows, how the people behind those shows interact on and off the job, and what it’s like for fans of some remarkably talented people to become their coworkers.
3. The Places
Mindy describes three distinct places she’s lived in some detail: Cambridge, Massachusetts, where she grew up, New York City, and LA. I like hearing about places I’ve never been to, especially when what I get to see is the ways that people there are more or less like the people anywhere, just with their own ways of being that way. Cambridge Massachusetts and Los Angeles are definitely in that category. NYC is special to me because that’s where Tori and I honeymooned. Beyond that, it’s always had a special allure to me as THE big city on my half of the continental United States. I could listen to anyone talk about living in New York for as long as they wanted to talk. The fact that it was a remarkably gifted writer and comedian doing the explaining was a nice bonus.
4. The Upswing
Mindy is tough, and that doesn’t get diluted in the least because her goal the entire book is to work in comedy. In fact, I’d argue it gets amplified. There are a lot of barriers between anyone who wants to work in media and the actual accomplishment of getting to do so. Even knowing that she will be successful, it’s impossible to not grit your teeth every time she reflects on a setback or hold your breath when she narrates a new opportunity. The drama may have been amplified for me because I had no idea what her career path had looked like. Still, I think for anyone, the strength of Kaling’s writing will align them with her goals and hopes and frustrations in a deeply satisfying way.
(See Tori’s thoughts on the book here.)